-rasmi aljarraj critic
The famous Italian painter and architect Raphaelo Sanzio, 1483-1520, is an important aesthetic, artistic, intellectual and historical lesson. The painting that adorns the signature hall of the Vatican Palace is a visual document and an important reference for the introduction of scholars, thinkers, wise men, artists and ancient philosophers. And who left behind the intellectual and theoretical theories of philosophical, scientific and intellectual contributions that have served humanity to date.
The painting is filled with the fresco, and is built on the rules and conditions of the classical school in art in terms of the distribution of balanced and well-established blocks and the correct loading of them and corresponding in a well-thought out space that achieves the freedom of navigation in the painting.
The ceiling of the wall is placed on the sky and the smallest is located in the depth of the painting. It is open to a clear sky. The choice of the Raffaelo of this design comes to the sanctity, prestige and symbolism of the wall. The presence of philosophers and philosophers is more important and important. Of the greatness of those arches adorned with religious drawings and decorations.

Raffaello took the painting into a genius design. He made scientists and philosophers into two rows: the upper and the lower, leaving a dynamic representation in motion, to move away from the static nature. Plato and Aristotle, the center of the painting, appear to be coming from that space surrounded by a multitude of scientists and philosophers. The bottom row contains a number of scientists who are busy explaining their theories.
The class is divided into two blocks, one to the left and the other to the right. The artist left in the middle of the row a gap to allow the recipient to see the figures of the center of the painting "Plato and Aristotle." Raffaello also presented some scholars with artists' bodies to achieve a double presence of the philosopher and the artist.
As in the figure of Heracliat, which was attended by the artist Michael Angelo, and Euclid, which was taken by the architect Donato Bramante.
The painting of the "School of Athens" symbolizes the search for truth by man, who has presented to world thought many facts, the heritage of Athens and the world. The painting illustrates the collection of philosophers and scholars who built the edifice of Western and world philosophy in the fourth century BC.
The painting consists of philosophers and wise men: Plato the idealist and the dreamer raises one of his hands to the sky and holds in his other hand his book "Timmy" Aristotle Basta his hand and holds his book "ethics," a landscape versus scientific,
The painting also includes a number of philosophers. The Greek philosopher who said that pleasure is the nominal good, and Ibn Rushd (1126-1198), the Arab philosopher who tried to reconcile the Sharia with the Greek philosopher, who is considered Plato and Aristotle, the founders of Western culture, and Abu Qurat 270-341 "The Greek philosopher who tried to prove that the movement was an illusion, known as Zenon al-Rawaki, founder of the Stoicism, Pythagoras, the Greek mathematician, and Zoroaster" 628-551 " The Persian and the prophet of Zardashtia and its founder.
The painting also includes Ptolemy's mathematical, geographic and Greek astronomer, and El Sodoma (1477-1549), the Italian painter who was influenced by the Da Vinci billionaire, by painter Raphaelo, and the "Greek philosopher and leader" 315-390 BC. Vasadiz "404-450" Socrates servant and the veteran Greek politician, in addition to the painter himself, and a number of other personalities and scientists.